@dots.ges(optional)Number of dots required for a gestural duration when different from that of the
written duration.
Value conforms to data.AUGMENTDOT.
<att.duration.ges>direct children@dots.ges
@dur.ges(optional)Records performed duration information that differs from the written duration; @dur.ges allows
the same datatypes as @dur. Values of @dur.ges that require dots should also use @dots.ges.
Value conforms to data.DURATION.GESTURAL.
<att.duration.ges>direct children@dur.ges
@dur.metrical(optional)Duration as a count of units provided in the time signature denominator.
Value is a decimal number.
<att.duration.ges>direct children@dur.metrical
@dur.ppq(optional)Duration recorded as pulses-per-quarter note, e.g., MIDI clicks or MusicXML
divisions.
Value is a positive integer, including 0.
<att.duration.ges>direct children@dur.ppq
@dur.real(optional)Duration in seconds, e.g., 1.732.
Value is a decimal number.
@dur.ges(optional)Records performed duration information that differs from the written duration; @dur.ges allows
the same datatypes as @dur. Values of @dur.ges that require dots should also use @dots.ges.
Value conforms to data.DURATION.GESTURAL.
@dots.ges(optional)Number of dots required for a gestural duration when different from that of the
written duration.
Value conforms to data.AUGMENTDOT.
@dur.metrical(optional)Duration as a count of units provided in the time signature denominator.
Value is a decimal number.
@dur.ppq(optional)Duration recorded as pulses-per-quarter note, e.g., MIDI clicks or MusicXML
divisions.
Value is a positive integer, including 0.
@dur.real(optional)Duration in seconds, e.g., 1.732.
Value is a decimal number.
@dots.ges(optional)Number of dots required for a gestural duration when different from that of the
written duration.
Value conforms to data.AUGMENTDOT.
@dur.ges(optional)Records performed duration information that differs from the written duration; @dur.ges allows
the same datatypes as @dur. Values of @dur.ges that require dots should also use @dots.ges.
Value conforms to data.DURATION.GESTURAL.
@dur.metrical(optional)Duration as a count of units provided in the time signature denominator.
Value is a decimal number.
@dur.ppq(optional)Duration recorded as pulses-per-quarter note, e.g., MIDI clicks or MusicXML
divisions.
Value is a positive integer, including 0.
@dur.real(optional)Duration in seconds, e.g., 1.732.
Value is a decimal number.
<annot>Provides a statement explaining the text or indicating the basis for an
assertion.
<beamSpan>Alternative element for explicitly encoding beams, particularly those which
extend across bar lines.
<bracketSpan>Marks a sequence of notational events grouped by a bracket.
<caesura>Break, pause, or interruption in the normal tempo of a composition. Typically indicated
by
"railroad tracks", i.e., two diagonal slashes.
<chord>A simultaneous sounding of two or more notes in the same layer *with the same
duration*.
<cpMark>A verbal or graphical indication to copy musical material
written elsewhere.
<dir>An instruction expressed as a combination of text and symbols, typically above,
below, or between staves, but not on the staff — that is not encoded elsewhere in
more specific
elements, like <tempo>, <dynam> or <repeatMark>.
<dynam>Indication of the volume of a note, phrase, or section of music.
<fermata>An indication placed over a note or rest to indicate that it should be held longer
than
its written value. May also occur over a bar line to indicate the end of a phrase
or section.
Sometimes called a 'hold' or 'pause'.
<fing>An individual finger in a fingering indication.
<fingGrp>A group of individual fingers in a fingering indication.
<gliss>A continuous or sliding movement from one pitch to another, usually
indicated by a straight or wavy line.
<hairpin>Indicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., <
and >.
<line>A visual line that cannot be represented by a more specific; i.e., semantic,
element.
<metaMark>A graphical or textual statement with additional / explanatory information about the
musical text. The textual consequences of this intervention are encoded independently
via
other means; that is, with elements such as <add>, <del>, etc.
<octave>An indication that a passage should be performed one or more octaves above or below
its
written pitch.
<ornam>An element indicating an ornament that is not a mordent, turn, or trill.
<phrase>Indication of 1) a "unified melodic idea" or 2) performance technique.
<repeatMark>
An instruction expressed as a combination of text and symbols – segno and coda – typically
above,
below, or between staves, but not on the staff.
<rest>A non-sounding event found in the source being transcribed.
<slur>Indication of 1) a "unified melodic idea" or 2) performance technique.
<space>A placeholder used to fill an incomplete measure, layer, etc. most often so that the
combined duration of the events equals the number of beats in the measure.
<tabGrp>A group of simultaneous tab notes, comparable to a <chord> in CMN. Rarely, may also contain rests, as in some "German" lute tablatures.
<trill>Rapid alternation of a note with another (usually at the interval of a second
above).
<tuplet>A group of notes with "irregular" (sometimes called "irrational") rhythmic values,
for
example, three notes in the time normally occupied by two or nine in the time of five.
<tupletSpan>Alternative element for encoding tuplets, especially useful for tuplets
that extend across bar lines.
Common Music Notation (CMN) repertoire component declarations.
<beamSpan>Alternative element for explicitly encoding beams, particularly those which
extend across bar lines.
<bracketSpan>Marks a sequence of notational events grouped by a bracket.
<fermata>An indication placed over a note or rest to indicate that it should be held longer
than
its written value. May also occur over a bar line to indicate the end of a phrase
or section.
Sometimes called a 'hold' or 'pause'.
<gliss>A continuous or sliding movement from one pitch to another, usually
indicated by a straight or wavy line.
<hairpin>Indicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., <
and >.
<mSpace>A measure containing only empty space in any meter.
<multiRest>Multiple full measure rests compressed into a single bar,
frequently found in performer parts.
<octave>An indication that a passage should be performed one or more octaves above or below
its
written pitch.
<repeatMark>
An instruction expressed as a combination of text and symbols – segno and coda – typically
above,
below, or between staves, but not on the staff.
<slur>Indication of 1) a "unified melodic idea" or 2) performance technique.
<tuplet>A group of notes with "irregular" (sometimes called "irrational") rhythmic values,
for
example, three notes in the time normally occupied by two or nine in the time of five.
<tupletSpan>Alternative element for encoding tuplets, especially useful for tuplets
that extend across bar lines.
CMN ornament component declarations.
<trill>Rapid alternation of a note with another (usually at the interval of a second
above).
Editorial and transcriptional component declarations.
<cpMark>A verbal or graphical indication to copy musical material
written elsewhere.
<metaMark>A graphical or textual statement with additional / explanatory information about the
musical text. The textual consequences of this intervention are encoded independently
via
other means; that is, with elements such as <add>, <del>, etc.
Fingering component declarations.
<fing>An individual finger in a fingering indication.
<fingGrp>A group of individual fingers in a fingering indication.
<nc>Sign representing a single pitched event, although the exact pitch may not be
known.
Component declarations that are shared between two or more modules.
<annot>Provides a statement explaining the text or indicating the basis for an
assertion.
<caesura>Break, pause, or interruption in the normal tempo of a composition. Typically indicated
by
"railroad tracks", i.e., two diagonal slashes.
<chord>A simultaneous sounding of two or more notes in the same layer *with the same
duration*.
<dir>An instruction expressed as a combination of text and symbols, typically above,
below, or between staves, but not on the staff — that is not encoded elsewhere in
more specific
elements, like <tempo>, <dynam> or <repeatMark>.
<dynam>Indication of the volume of a note, phrase, or section of music.
<ornam>An element indicating an ornament that is not a mordent, turn, or trill.
<phrase>Indication of 1) a "unified melodic idea" or 2) performance technique.
<rest>A non-sounding event found in the source being transcribed.
<space>A placeholder used to fill an incomplete measure, layer, etc. most often so that the
combined duration of the events equals the number of beats in the measure.
Tablature component declarations.
<tabGrp>A group of simultaneous tab notes, comparable to a <chord> in CMN. Rarely, may also contain rests, as in some "German" lute tablatures.
User-defined symbols component declarations.
<line>A visual line that cannot be represented by a more specific; i.e., semantic,
element.
<desc xml:lang="en">Attributes that record performed duration that differs from a feature’s written
duration.</desc>
<attList>
<attDef ident="dur.ges"usage="opt">
<desc xml:lang="en">Records performed duration information that differs from the written duration; @dur.ges allows
the same datatypes as @dur. Values of @dur.ges that require dots should also use @dots.ges.</desc>