att.startEndId

Attributes recording the identifiers of the first and last elements of a sequence of elements to which the current element is associated.
1.3.2 Events and Controlevents
Module
MEI.shared
Attributes
endid, startid
endid(optional)Indicates the final element in a sequence of events to which the feature applies. Value conforms to data.URI.
<att.startEndId>direct children@endid
startid(optional)Holds a reference to the first element in a sequence of events to which the feature applies. Value conforms to data.URI.
<att.startEndId>att.startId@startid
endid(optional)Indicates the final element in a sequence of events to which the feature applies. Value conforms to data.URI.
(MEI.shared) Attributes that identify a relative starting point.
startid(optional)Holds a reference to the first element in a sequence of events to which the feature applies. Value conforms to data.URI.
Component declarations that are shared between two or more modules.
endid(optional)Indicates the final element in a sequence of events to which the feature applies. Value conforms to data.URI.
startid(optional)Holds a reference to the first element in a sequence of events to which the feature applies. Value conforms to data.URI.
Available at
barreA barre in a chord tablature grid.
beamSpanAlternative element for explicitly encoding beams, particularly those which extend across bar lines.
bendA variation in pitch (often micro-tonal) upwards or downwards during the course of a note.
bracketSpanMarks a sequence of notational events grouped by a bracket.
fermataAn indication placed over a note or rest to indicate that it should be held longer than its written value. May also occur over a bar line to indicate the end of a phrase or section. Sometimes called a 'hold' or 'pause'.
glissA continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
hairpinIndicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., < and >.
harpPedalHarp pedal diagram.
lvA "tie-like" indication that a note should ring beyond its written duration.
octaveAn indication that a passage should be performed one or more octaves above or below its written pitch.
pedalPiano pedal mark.
slurIndication of 1) a "unified melodic idea" or 2) performance technique.
tieAn indication that two notes of the same pitch form a single note with their combined rhythmic values.
tupletA group of notes with "irregular" (sometimes called "irrational") rhythmic values, for example, three notes in the time normally occupied by two or nine in the time of five.
tupletSpanAlternative element for encoding tuplets, especially useful for tuplets that extend across bar lines.
mordentAn ornament indicating rapid alternation of the main note with a secondary note, usually a step below, but sometimes a step above.
trillRapid alternation of a note with another (usually at the interval of a second above).
spContains an individual speech in a performance text.
stageDirContains any kind of stage direction within a dramatic text or fragment.
cpMarkA verbal or graphical indication to copy musical material written elsewhere.
metaMarkA graphical or textual statement with additional / explanatory information about the musical text. The textual consequences of this intervention are encoded independently via other means; that is, with elements such as add, del, etc.
fingAn individual finger in a fingering indication.
fingGrpA group of individual fingers in a fingering indication.
fSingle element of a figured bass indication.
harmAn indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
annotProvides a statement explaining the text or indicating the basis for an assertion.
attaccaAn instruction to begin the next section or movement of a composition without pause.
dirAn instruction expressed as a combination of text and symbols, typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like tempo, dynam or repeatMark.
dynamIndication of the volume of a note, phrase, or section of music.
grpSymA brace or bracket used to group two or more staves of a score or part.
ornamAn element indicating an ornament that is not a mordent, turn, or trill.
phraseIndication of 1) a "unified melodic idea" or 2) performance technique.
repeatMark An instruction expressed as a combination of text and symbols – segno and coda – typically above, below, or between staves, but not on the staff.
tempoText and symbols descriptive of tempo, mood, or style, e.g., "allarg.", "a tempo", "cantabile", "Moderato", "♩=60", "Moderato ♩ =60").
curveA curved line that cannot be represented by a more specific element, such as a slur.
lineA visual line that cannot be represented by a more specific; i.e., semantic, element.
Common Music Notation (CMN) repertoire component declarations.
attaccaAn instruction to begin the next section or movement of a composition without pause.
beamSpanAlternative element for explicitly encoding beams, particularly those which extend across bar lines.
bendA variation in pitch (often micro-tonal) upwards or downwards during the course of a note.
bracketSpanMarks a sequence of notational events grouped by a bracket.
fermataAn indication placed over a note or rest to indicate that it should be held longer than its written value. May also occur over a bar line to indicate the end of a phrase or section. Sometimes called a 'hold' or 'pause'.
glissA continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
hairpinIndicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., < and >.
harpPedalHarp pedal diagram.
lvA "tie-like" indication that a note should ring beyond its written duration.
octaveAn indication that a passage should be performed one or more octaves above or below its written pitch.
pedalPiano pedal mark.
repeatMark An instruction expressed as a combination of text and symbols – segno and coda – typically above, below, or between staves, but not on the staff.
slurIndication of 1) a "unified melodic idea" or 2) performance technique.
tieAn indication that two notes of the same pitch form a single note with their combined rhythmic values.
tupletA group of notes with "irregular" (sometimes called "irrational") rhythmic values, for example, three notes in the time normally occupied by two or nine in the time of five.
tupletSpanAlternative element for encoding tuplets, especially useful for tuplets that extend across bar lines.
CMN ornament component declarations.
mordentAn ornament indicating rapid alternation of the main note with a secondary note, usually a step below, but sometimes a step above.
trillRapid alternation of a note with another (usually at the interval of a second above).
Dramatic text component declarations.
spContains an individual speech in a performance text.
stageDirContains any kind of stage direction within a dramatic text or fragment.
Editorial and transcriptional component declarations.
cpMarkA verbal or graphical indication to copy musical material written elsewhere.
metaMarkA graphical or textual statement with additional / explanatory information about the musical text. The textual consequences of this intervention are encoded independently via other means; that is, with elements such as add, del, etc.
Fingering component declarations.
fingAn individual finger in a fingering indication.
fingGrpA group of individual fingers in a fingering indication.
Harmony component declarations.
fSingle element of a figured bass indication.
harmAn indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
Component declarations that are shared between two or more modules.
annotProvides a statement explaining the text or indicating the basis for an assertion.
dirAn instruction expressed as a combination of text and symbols, typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like tempo, dynam or repeatMark.
dynamIndication of the volume of a note, phrase, or section of music.
grpSymA brace or bracket used to group two or more staves of a score or part.
ornamAn element indicating an ornament that is not a mordent, turn, or trill.
phraseIndication of 1) a "unified melodic idea" or 2) performance technique.
tempoText and symbols descriptive of tempo, mood, or style, e.g., "allarg.", "a tempo", "cantabile", "Moderato", "♩=60", "Moderato ♩ =60").
Tablature component declarations.
barreA barre in a chord tablature grid.
User-defined symbols component declarations.
curveA curved line that cannot be represented by a more specific element, such as a slur.
lineA visual line that cannot be represented by a more specific; i.e., semantic, element.
Constraints

@endid attribute should have content.
The value in @endid should correspond to the @xml:id attribute of an element.

Declaration
<classSpec ident="att.startEndId" module="MEI.shared" type="atts">
<desc xml:lang="en">Attributes recording the identifiers of the first and last elements of a sequence of elements to which the current element is associated.</desc>
<classes>
<memberOf key="att.startId"/>
</classes>
<attList>
<attDef ident="endid" usage="opt">
<desc xml:lang="en">Indicates the final element in a sequence of events to which the feature applies.</desc>
<datatype>
<rng:ref name="data.URI"/>
</datatype>
<constraintSpec ident="check_endidTarget" scheme="schematron">
<constraint>
<sch:rule context="@endid">
<sch:assert role="warning" test="not(normalize-space(.) eq '')">@endid attribute should have content.</sch:assert>
<sch:assert role="warning" test="every $i in tokenize(., '\s+') satisfies substring($i,2)=//mei:*/@xml:id">The value in @endid should correspond to the @xml:id attribute of an element.</sch:assert>
</sch:rule>
</constraint>
</constraintSpec>
</attDef>
</attList>
</classSpec>
MEI Version: 6.0-dev(#e3f1ca4)