att.plist

Attributes listing the active participants in a user-defined collection.
Module
MEI.shared
Attributes
plist
plist(optional)When the target attribute is present, plist identifies the active participants; that is, those entities pointed "from", in a relationship with the specified target(s). When the target attribute is not present, it identifies participants in a mutual relationship. One or more values from data.URI, separated by spaces.
plist(optional)When the target attribute is present, plist identifies the active participants; that is, those entities pointed "from", in a relationship with the specified target(s). When the target attribute is not present, it identifies participants in a mutual relationship. One or more values from data.URI, separated by spaces.
Component declarations that are shared between two or more modules.
plist(optional)When the target attribute is present, plist identifies the active participants; that is, those entities pointed "from", in a relationship with the specified target(s). When the target attribute is not present, it identifies participants in a mutual relationship. One or more values from data.URI, separated by spaces.
Available at
annot(annotation) – Provides a statement explaining the text or indicating the basis for an assertion.
beatRpt(beat repeat) – An indication that material on a preceding beat should be repeated.
expansionIndicates how a section may be programmatically expanded into its 'through-composed' form.
relationDescribes a relationship or linkage amongst entities.
signifLetSignificantive letter(s).
arpeg(arpeggiation) – Indicates that the notes of a chord are to be performed successively rather than simultaneously, usually from lowest to highest. Sometimes called a "roll".
beamSpan(beam span) – Alternative element for explicitly encoding beams, particularly those which extend across bar lines.
bendA variation in pitch (often micro-tonal) upwards or downwards during the course of a note.
bracketSpanMarks a sequence of notational events grouped by a bracket.
fermataAn indication placed over a note or rest to indicate that it should be held longer than its written value. May also occur over a bar line to indicate the end of a phrase or section. Sometimes called a 'hold' or 'pause'.
gliss(glissando) – A continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
hairpinIndicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g. < and >.
harpPedal(harp pedal) – Harp pedal diagram.
lv(laissez vibrer) – A "tie-like" indication that a note should ring beyond its written duration.
octaveAn indication that a passage should be performed one or more octaves above or below its written pitch.
pedalPiano pedal mark.
slurIndication of 1) a "unified melodic idea" or 2) performance technique.
tieAn indication that two notes of the same pitch form a single note with their combined rhythmic values.
tupletSpan(tuplet span) – Alternative element for encoding tuplets, especially useful for tuplets that extend across bar lines.
mordentAn ornament indicating rapid alternation of the main note with a secondary note, usually a step below, but sometimes a step above.
trillRapid alternation of a note with another (usually at the interval of a second above).
turnAn ornament consisting of four notes — the upper neighbor of the written note, the written note, the lower neighbor, and the written note.
sp(speech) – Contains an individual speech in a performance text.
stageDir(stage direction) – Contains any kind of stage direction within a dramatic text or fragment.
cpMark(copy/colla parte mark) – A verbal or graphical indication to copy musical material written elsewhere.
metaMarkA graphical or textual statement with additional / explanatory information about the musical text. The textual consequences of this intervention are encoded independently via other means; that is, with elements such as <add>, <del>, etc.
fingfinger – An individual finger in a fingering indication.
fingGrp(finger group)– A group of individual fingers in a fingering indication.
f(figure) – Single element of a figured bass indication.
harm(harmony) – An indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
accid(accidental) – Records a temporary alteration to the pitch of a note.
artic(articulation) – An indication of how to play a note or chord.
attaccaAn instruction to begin the next section or movement of a composition without pause.
dir(directive) – An instruction expressed as a combination of text and symbols — such as segno and coda symbols, fermatas over a bar line, etc., typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like tempo or dynam.
dotDot of augmentation or division.
dynam(dynamic) – Indication of the volume of a note, phrase, or section of music.
ornamAn element indicating an ornament that is not a mordent, turn, or trill.
phraseIndication of 1) a "unified melodic idea" or 2) performance technique.
tempoText and symbols descriptive of tempo, mood, or style, e.g., "allarg.", "a tempo", "cantabile", "Moderato", "♩=60", "Moderato ♩ =60").
lineA visual line that cannot be represented by a more specific; i.e., semantic, element.
Common Music Notation (CMN) repertoire component declarations.
arpeg(arpeggiation) – Indicates that the notes of a chord are to be performed successively rather than simultaneously, usually from lowest to highest. Sometimes called a "roll".
attaccaAn instruction to begin the next section or movement of a composition without pause.
beamSpan(beam span) – Alternative element for explicitly encoding beams, particularly those which extend across bar lines.
beatRpt(beat repeat) – An indication that material on a preceding beat should be repeated.
bendA variation in pitch (often micro-tonal) upwards or downwards during the course of a note.
bracketSpanMarks a sequence of notational events grouped by a bracket.
fermataAn indication placed over a note or rest to indicate that it should be held longer than its written value. May also occur over a bar line to indicate the end of a phrase or section. Sometimes called a 'hold' or 'pause'.
gliss(glissando) – A continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
hairpinIndicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g. < and >.
harpPedal(harp pedal) – Harp pedal diagram.
lv(laissez vibrer) – A "tie-like" indication that a note should ring beyond its written duration.
octaveAn indication that a passage should be performed one or more octaves above or below its written pitch.
pedalPiano pedal mark.
slurIndication of 1) a "unified melodic idea" or 2) performance technique.
tieAn indication that two notes of the same pitch form a single note with their combined rhythmic values.
tupletSpan(tuplet span) – Alternative element for encoding tuplets, especially useful for tuplets that extend across bar lines.
CMN ornament component declarations.
mordentAn ornament indicating rapid alternation of the main note with a secondary note, usually a step below, but sometimes a step above.
trillRapid alternation of a note with another (usually at the interval of a second above).
turnAn ornament consisting of four notes — the upper neighbor of the written note, the written note, the lower neighbor, and the written note.
Dramatic text component declarations.
sp(speech) – Contains an individual speech in a performance text.
stageDir(stage direction) – Contains any kind of stage direction within a dramatic text or fragment.
Editorial and transcriptional component declarations.
cpMark(copy/colla parte mark) – A verbal or graphical indication to copy musical material written elsewhere.
metaMarkA graphical or textual statement with additional / explanatory information about the musical text. The textual consequences of this intervention are encoded independently via other means; that is, with elements such as <add>, <del>, etc.
Fingering component declarations.
fingfinger – An individual finger in a fingering indication.
fingGrp(finger group)– A group of individual fingers in a fingering indication.
Harmony component declarations.
f(figure) – Single element of a figured bass indication.
harm(harmony) – An indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
Neume repertoire component declarations.
episemaEpisema.
hispanTickHispanic tick.
signifLetSignificantive letter(s).
Component declarations that are shared between two or more modules.
accid(accidental) – Records a temporary alteration to the pitch of a note.
annot(annotation) – Provides a statement explaining the text or indicating the basis for an assertion.
artic(articulation) – An indication of how to play a note or chord.
dir(directive) – An instruction expressed as a combination of text and symbols — such as segno and coda symbols, fermatas over a bar line, etc., typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like tempo or dynam.
dotDot of augmentation or division.
dynam(dynamic) – Indication of the volume of a note, phrase, or section of music.
expansionIndicates how a section may be programmatically expanded into its 'through-composed' form.
ornamAn element indicating an ornament that is not a mordent, turn, or trill.
phraseIndication of 1) a "unified melodic idea" or 2) performance technique.
relationDescribes a relationship or linkage amongst entities.
tempoText and symbols descriptive of tempo, mood, or style, e.g., "allarg.", "a tempo", "cantabile", "Moderato", "♩=60", "Moderato ♩ =60").
User-defined symbols component declarations.
lineA visual line that cannot be represented by a more specific; i.e., semantic, element.
Constraints

@plist attribute should have content.
Each value in @plist should correspond to the @xml:id attribute of an element.

Declaration
<classSpec ident="att.plist" module="MEI.shared" type="atts">
<desc>Attributes listing the active participants in a user-defined collection.</desc>
<attList>
<attDef ident="plist" usage="opt">
<desc>When the target attribute is present, plist identifies the active participants; that is, those entities pointed "from", in a relationship with the specified target(s). When the target attribute is not present, it identifies participants in a mutual relationship.</desc>
<datatype maxOccurs="unbounded">
<rng:ref name="data.URI"/>
</datatype>
<constraintSpec ident="check_plistTarget" scheme="isoschematron">
<constraint>
<sch:rule context="@plist">
<sch:assert role="warning" test="not(normalize-space(.) eq '')">@plist attribute should have content.</sch:assert>
<sch:assert role="warning" test="every $i in tokenize(., '\s+') satisfies substring($i,2)=//mei:*/@xml:id">Each value in @plist should correspond to the @xml:id attribute of an element.</sch:assert>
</sch:rule>
</constraint>
</constraintSpec>
</attDef>
</attList>
</classSpec>