plist(optional)When the target attribute is present, plist identifies the active participants; that
is, those entities pointed "from", in a relationship with the specified target(s).
When
the target attribute is not present, it identifies participants in a mutual
relationship.
One or more values from data.URI, separated by spaces.
<att.plist>direct children@plist
plist(optional)When the target attribute is present, plist identifies the active participants; that
is, those entities pointed "from", in a relationship with the specified target(s).
When
the target attribute is not present, it identifies participants in a mutual
relationship.
One or more values from data.URI, separated by spaces.
Component declarations that are shared between two or more modules.
plist(optional)When the target attribute is present, plist identifies the active participants; that
is, those entities pointed "from", in a relationship with the specified target(s).
When
the target attribute is not present, it identifies participants in a mutual
relationship.
One or more values from data.URI, separated by spaces.
arpegIndicates that the notes of a chord are to be performed successively
rather than simultaneously, usually from lowest to highest. Sometimes called a "roll".
beamSpanAlternative element for explicitly encoding beams, particularly those which
extend across bar lines.
bendA variation in pitch (often micro-tonal) upwards or downwards during the course of
a
note.
bracketSpanMarks a sequence of notational events grouped by a bracket.
fermataAn indication placed over a note or rest to indicate that it should be held longer
than
its written value. May also occur over a bar line to indicate the end of a phrase
or section.
Sometimes called a 'hold' or 'pause'.
glissA continuous or sliding movement from one pitch to another, usually
indicated by a straight or wavy line.
hairpinIndicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., <
and >.
slurIndication of 1) a "unified melodic idea" or 2) performance technique.
tieAn indication that two notes of the same pitch form a single note with their combined
rhythmic values.
tupletSpanAlternative element for encoding tuplets, especially useful for tuplets
that extend across bar lines.
mordentAn ornament indicating rapid alternation of the main note with a secondary note, usually
a
step below, but sometimes a step above.
trillRapid alternation of a note with another (usually at the interval of a second
above).
turnAn ornament consisting of four notes — the upper neighbor of the written note, the
written
note, the lower neighbor, and the written note.
spContains an individual speech in a performance text.
stageDirContains any kind of stage direction within a dramatic text or
fragment.
cpMarkA verbal or graphical indication to copy musical material
written elsewhere.
metaMarkA graphical or textual statement with additional / explanatory information about the
musical text. The textual consequences of this intervention are encoded independently
via
other means; that is, with elements such as add, del, etc.
fingAn individual finger in a fingering indication.
fingGrpA group of individual fingers in a fingering indication.
accidRecords a temporary alteration to the pitch of a note.
articAn indication of how to play a note or chord.
attaccaAn instruction to begin the next section or movement of a composition without
pause.
dirAn instruction expressed as a combination of text and symbols, typically above,
below, or between staves, but not on the staff — that is not encoded elsewhere in
more specific
elements, like tempo, dynam or repeatMark.
dynamIndication of the volume of a note, phrase, or section of music.
ornamAn element indicating an ornament that is not a mordent, turn, or trill.
phraseIndication of 1) a "unified melodic idea" or 2) performance technique.
repeatMark
An instruction expressed as a combination of text and symbols – segno and coda – typically
above,
below, or between staves, but not on the staff.
tempoText and symbols descriptive of tempo, mood, or style, e.g., "allarg.", "a tempo",
"cantabile", "Moderato", "♩=60", "Moderato ♩ =60").
lineA visual line that cannot be represented by a more specific; i.e., semantic,
element.
Common Music Notation (CMN) repertoire component declarations.
arpegIndicates that the notes of a chord are to be performed successively
rather than simultaneously, usually from lowest to highest. Sometimes called a "roll".
attaccaAn instruction to begin the next section or movement of a composition without
pause.
beamSpanAlternative element for explicitly encoding beams, particularly those which
extend across bar lines.
beatRptAn indication that material on a preceding beat should be repeated.
bendA variation in pitch (often micro-tonal) upwards or downwards during the course of
a
note.
bracketSpanMarks a sequence of notational events grouped by a bracket.
fermataAn indication placed over a note or rest to indicate that it should be held longer
than
its written value. May also occur over a bar line to indicate the end of a phrase
or section.
Sometimes called a 'hold' or 'pause'.
glissA continuous or sliding movement from one pitch to another, usually
indicated by a straight or wavy line.
hairpinIndicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., <
and >.
repeatMark
An instruction expressed as a combination of text and symbols – segno and coda – typically
above,
below, or between staves, but not on the staff.
slurIndication of 1) a "unified melodic idea" or 2) performance technique.
tieAn indication that two notes of the same pitch form a single note with their combined
rhythmic values.
tupletSpanAlternative element for encoding tuplets, especially useful for tuplets
that extend across bar lines.
CMN ornament component declarations.
mordentAn ornament indicating rapid alternation of the main note with a secondary note, usually
a
step below, but sometimes a step above.
trillRapid alternation of a note with another (usually at the interval of a second
above).
turnAn ornament consisting of four notes — the upper neighbor of the written note, the
written
note, the lower neighbor, and the written note.
Dramatic text component declarations.
spContains an individual speech in a performance text.
stageDirContains any kind of stage direction within a dramatic text or
fragment.
Editorial and transcriptional component declarations.
cpMarkA verbal or graphical indication to copy musical material
written elsewhere.
metaMarkA graphical or textual statement with additional / explanatory information about the
musical text. The textual consequences of this intervention are encoded independently
via
other means; that is, with elements such as add, del, etc.
Fingering component declarations.
fingAn individual finger in a fingering indication.
fingGrpA group of individual fingers in a fingering indication.
Component declarations that are shared between two or more modules.
accidRecords a temporary alteration to the pitch of a note.
annotProvides a statement explaining the text or indicating the basis for an
assertion.
articAn indication of how to play a note or chord.
dirAn instruction expressed as a combination of text and symbols, typically above,
below, or between staves, but not on the staff — that is not encoded elsewhere in
more specific
elements, like tempo, dynam or repeatMark.
<desc xml:lang="en">Attributes listing the active participants in a user-defined collection.</desc>
<attList>
<attDef ident="plist"usage="opt">
<desc xml:lang="en">When the target attribute is present, plist identifies the active participants; that
is, those entities pointed "from", in a relationship with the specified target(s).
When
the target attribute is not present, it identifies participants in a mutual
relationship.</desc>
<sch:assert role="warning"test="not(normalize-space(.) eq '')">@plist attribute
should have content.</sch:assert>
<sch:assert role="warning"test="every $i in tokenize(., '\s+') satisfies substring($i,2)=//mei:*/@xml:id">Each
value in @plist should correspond to the @xml:id attribute of an
element.</sch:assert>