att.timestamp.log

Attributes that record a time stamp in terms of musical time, i.e., beats[.fractional beat part].
1.3.2 Events and Controlevents, 1.3.3 Timestamps in MEI, 2.2.6 Timestamps and Durations
Module
MEI.shared
Attributes
@tstamp
@tstamp(optional)Encodes the onset time in terms of musical time, i.e., beats[.fractional beat part], as expressed in the written time signature. Value conforms to data.BEAT.
<att.timestamp.log>direct children@tstamp
@tstamp(optional)Encodes the onset time in terms of musical time, i.e., beats[.fractional beat part], as expressed in the written time signature. Value conforms to data.BEAT.
@tstamp(optional)Encodes the onset time in terms of musical time, i.e., beats[.fractional beat part], as expressed in the written time signature. Value conforms to data.BEAT.
Available at
<breath>An indication of a point at which the performer on an instrument requiring breath (including the voice) may breathe.
<reh>In an orchestral score and its corresponding parts, a mark indicating a convenient point from which to resume rehearsal after a break.
<caesura>Break, pause, or interruption in the normal tempo of a composition. Typically indicated by "railroad tracks", i.e., two diagonal slashes.
<arpeg>Indicates that the notes of a chord are to be performed successively rather than simultaneously, usually from lowest to highest. Sometimes called a "roll".
<fermata>An indication placed over a note or rest to indicate that it should be held longer than its written value. May also occur over a bar line to indicate the end of a phrase or section. Sometimes called a 'hold' or 'pause'.
<gliss>A continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
<hairpin>Indicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., < and >.
<harpPedal>Harp pedal diagram.
<lv>A "tie-like" indication that a note should ring beyond its written duration.
<octave>An indication that a passage should be performed one or more octaves above or below its written pitch.
<pedal>Piano pedal mark.
<slur>Indication of 1) a "unified melodic idea" or 2) performance technique.
<tie>An indication that two notes of the same pitch form a single note with their combined rhythmic values.
<mordent>An ornament indicating rapid alternation of the main note with a secondary note, usually a step below, but sometimes a step above.
<trill>Rapid alternation of a note with another (usually at the interval of a second above).
<turn>An ornament consisting of four notes — the upper neighbor of the written note, the written note, the lower neighbor, and the written note.
<fing>An individual finger in a fingering indication.
<fingGrp>A group of individual fingers in a fingering indication.
<harm>An indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
<accid>Records a temporary alteration to the pitch of a note.
<artic>An indication of how to play a note or chord.
<dir>An instruction expressed as a combination of text and symbols, typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like <tempo>, <dynam> or <repeatMark>.
<dynam>Indication of the volume of a note, phrase, or section of music.
<ornam>An element indicating an ornament that is not a mordent, turn, or trill.
<repeatMark> An instruction expressed as a combination of text and symbols – segno and coda – typically above, below, or between staves, but not on the staff.
<tempo>Text and symbols descriptive of tempo, mood, or style, e.g., "allarg.", "a tempo", "cantabile", "Moderato", "♩=60", "Moderato ♩ =60").
<arpeg>Indicates that the notes of a chord are to be performed successively rather than simultaneously, usually from lowest to highest. Sometimes called a "roll".
<breath>An indication of a point at which the performer on an instrument requiring breath (including the voice) may breathe.
<fermata>An indication placed over a note or rest to indicate that it should be held longer than its written value. May also occur over a bar line to indicate the end of a phrase or section. Sometimes called a 'hold' or 'pause'.
<gliss>A continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
<hairpin>Indicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., < and >.
<harpPedal>Harp pedal diagram.
<lv>A "tie-like" indication that a note should ring beyond its written duration.
<octave>An indication that a passage should be performed one or more octaves above or below its written pitch.
<pedal>Piano pedal mark.
<reh>In an orchestral score and its corresponding parts, a mark indicating a convenient point from which to resume rehearsal after a break.
<repeatMark> An instruction expressed as a combination of text and symbols – segno and coda – typically above, below, or between staves, but not on the staff.
<slur>Indication of 1) a "unified melodic idea" or 2) performance technique.
<tie>An indication that two notes of the same pitch form a single note with their combined rhythmic values.
<mordent>An ornament indicating rapid alternation of the main note with a secondary note, usually a step below, but sometimes a step above.
<trill>Rapid alternation of a note with another (usually at the interval of a second above).
<turn>An ornament consisting of four notes — the upper neighbor of the written note, the written note, the lower neighbor, and the written note.
<fing>An individual finger in a fingering indication.
<fingGrp>A group of individual fingers in a fingering indication.
<harm>An indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
<accid>Records a temporary alteration to the pitch of a note.
<artic>An indication of how to play a note or chord.
<caesura>Break, pause, or interruption in the normal tempo of a composition. Typically indicated by "railroad tracks", i.e., two diagonal slashes.
<dir>An instruction expressed as a combination of text and symbols, typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like <tempo>, <dynam> or <repeatMark>.
<dynam>Indication of the volume of a note, phrase, or section of music.
<ornam>An element indicating an ornament that is not a mordent, turn, or trill.
<tempo>Text and symbols descriptive of tempo, mood, or style, e.g., "allarg.", "a tempo", "cantabile", "Moderato", "♩=60", "Moderato ♩ =60").
Declaration
<classSpec rend="add" ident="att.timestamp.log" module="MEI.shared" type="atts">
<desc xml:lang="en">Attributes that record a time stamp in terms of musical time,
<abbr>i.e.</abbr>
, beats[.fractional beat part].</desc>
<attList>
<attDef ident="tstamp" usage="opt">
<gloss xml:lang="en">time stamp</gloss>
<desc xml:lang="en">Encodes the onset time in terms of musical time,
<abbr>i.e.</abbr>
, beats[.fractional beat part], as expressed in the written time signature.</desc>
<datatype>
<ref name="data.BEAT"/>
</datatype>
</attDef>
</attList>
</classSpec>
MEI Version: 6.0-dev+basic(#cd58552)