att.timestamp2.ges

Attributes that record a performed (as opposed to notated) time stamp for the end of an event.
Module
MEI.gestural
Attributes
@tstamp2.ges, @tstamp2.real
@tstamp2.ges(optional)Encodes the ending point of an event, i.e., a count of measures plus a beat location in the ending measure. Value conforms to data.MEASUREBEAT.
<att.timestamp2.ges>direct children@tstamp2.ges
@tstamp2.real(optional)Records the ending point of an event in terms of ISO time. Value conforms to data.ISOTIME.
<att.timestamp2.ges>direct children@tstamp2.real
@tstamp2.ges(optional)Encodes the ending point of an event, i.e., a count of measures plus a beat location in the ending measure. Value conforms to data.MEASUREBEAT.
@tstamp2.real(optional)Records the ending point of an event in terms of ISO time. Value conforms to data.ISOTIME.
@tstamp2.ges(optional)Encodes the ending point of an event, i.e., a count of measures plus a beat location in the ending measure. Value conforms to data.MEASUREBEAT.
@tstamp2.real(optional)Records the ending point of an event in terms of ISO time. Value conforms to data.ISOTIME.
Available at
<annot>Provides a statement explaining the text or indicating the basis for an assertion.
<attacca>An instruction to begin the next section or movement of a composition without pause.
<beamSpan>Alternative element for explicitly encoding beams, particularly those which extend across bar lines.
<bend>A variation in pitch (often micro-tonal) upwards or downwards during the course of a note.
<bracketSpan>Marks a sequence of notational events grouped by a bracket.
<cpMark>A verbal or graphical indication to copy musical material written elsewhere.
<dir>An instruction expressed as a combination of text and symbols, typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like <tempo>, <dynam> or <repeatMark>.
<dynam>Indication of the volume of a note, phrase, or section of music.
<f>Single element of a figured bass indication.
<fing>An individual finger in a fingering indication.
<fingGrp>A group of individual fingers in a fingering indication.
<gliss>A continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
<hairpin>Indicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., < and >.
<harm>An indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
<line>A visual line that cannot be represented by a more specific; i.e., semantic, element.
<lv>A "tie-like" indication that a note should ring beyond its written duration.
<metaMark>A graphical or textual statement with additional / explanatory information about the musical text. The textual consequences of this intervention are encoded independently via other means; that is, with elements such as <add>, <del>, etc.
<octave>An indication that a passage should be performed one or more octaves above or below its written pitch.
<ornam>An element indicating an ornament that is not a mordent, turn, or trill.
<pedal>Piano pedal mark.
<phrase>Indication of 1) a "unified melodic idea" or 2) performance technique.
<repeatMark> An instruction expressed as a combination of text and symbols – segno and coda – typically above, below, or between staves, but not on the staff.
<slur>Indication of 1) a "unified melodic idea" or 2) performance technique.
<sp>Contains an individual speech in a performance text.
<stageDir>Contains any kind of stage direction within a dramatic text or fragment.
<tie>An indication that two notes of the same pitch form a single note with their combined rhythmic values.
<trill>Rapid alternation of a note with another (usually at the interval of a second above).
<tupletSpan>Alternative element for encoding tuplets, especially useful for tuplets that extend across bar lines.
<attacca>An instruction to begin the next section or movement of a composition without pause.
<beamSpan>Alternative element for explicitly encoding beams, particularly those which extend across bar lines.
<bend>A variation in pitch (often micro-tonal) upwards or downwards during the course of a note.
<bracketSpan>Marks a sequence of notational events grouped by a bracket.
<gliss>A continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
<hairpin>Indicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., < and >.
<lv>A "tie-like" indication that a note should ring beyond its written duration.
<octave>An indication that a passage should be performed one or more octaves above or below its written pitch.
<pedal>Piano pedal mark.
<repeatMark> An instruction expressed as a combination of text and symbols – segno and coda – typically above, below, or between staves, but not on the staff.
<slur>Indication of 1) a "unified melodic idea" or 2) performance technique.
<tie>An indication that two notes of the same pitch form a single note with their combined rhythmic values.
<tupletSpan>Alternative element for encoding tuplets, especially useful for tuplets that extend across bar lines.
<trill>Rapid alternation of a note with another (usually at the interval of a second above).
<sp>Contains an individual speech in a performance text.
<stageDir>Contains any kind of stage direction within a dramatic text or fragment.
<cpMark>A verbal or graphical indication to copy musical material written elsewhere.
<metaMark>A graphical or textual statement with additional / explanatory information about the musical text. The textual consequences of this intervention are encoded independently via other means; that is, with elements such as <add>, <del>, etc.
<fing>An individual finger in a fingering indication.
<fingGrp>A group of individual fingers in a fingering indication.
<f>Single element of a figured bass indication.
<harm>An indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
<annot>Provides a statement explaining the text or indicating the basis for an assertion.
<dir>An instruction expressed as a combination of text and symbols, typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like <tempo>, <dynam> or <repeatMark>.
<dynam>Indication of the volume of a note, phrase, or section of music.
<ornam>An element indicating an ornament that is not a mordent, turn, or trill.
<phrase>Indication of 1) a "unified melodic idea" or 2) performance technique.
<line>A visual line that cannot be represented by a more specific; i.e., semantic, element.
Declaration
<classSpec xmlns="http://www.tei-c.org/ns/1.0" rend="add" ident="att.timestamp2.ges" module="MEI.gestural" type="atts">
<desc xml:lang="en">Attributes that record a performed (as opposed to notated) time stamp for the end of an event.</desc>
<attList>
<attDef ident="tstamp2.ges" usage="opt">
<desc xml:lang="en">Encodes the ending point of an event,
<abbr>i.e.</abbr>
, a count of measures plus a beat location in the ending measure.</desc>
<datatype>
<ref name="data.MEASUREBEAT"/>
</datatype>
</attDef>
<attDef ident="tstamp2.real" usage="opt">
<desc xml:lang="en">Records the ending point of an event in terms of ISO time.</desc>
<datatype>
<ref name="data.ISOTIME"/>
</datatype>
</attDef>
</attList>
</classSpec>
MEI Version: 6.0-dev+cmn(#6d754fa)