att.duration.ges

Attributes that record performed duration that differs from a feature’s written duration.
12.5.1 PPQ in scoreDef and staffDef
Module
MEI.gestural
Attributes
@dots.ges, @dur.ges, @dur.metrical, @dur.ppq, @dur.real, @dur.recip
@dots.ges(optional)Number of dots required for a gestural duration when different from that of the written duration. Value conforms to data.AUGMENTDOT.
<att.duration.ges>direct children@dots.ges
@dur.ges(optional)Records performed duration information that differs from the written duration; @dur.ges allows the same datatypes as @dur. Values of @dur.ges that require dots should also use @dots.ges. Value conforms to data.DURATION.GESTURAL.
<att.duration.ges>direct children@dur.ges
@dur.metrical(optional)Duration as a count of units provided in the time signature denominator. Value is a decimal number.
<att.duration.ges>direct children@dur.metrical
@dur.ppq(optional)Duration recorded as pulses-per-quarter note, e.g., MIDI clicks or MusicXML divisions. Value is a positive integer, including 0.
<att.duration.ges>direct children@dur.ppq
@dur.real(optional)Duration in seconds, e.g., 1.732. Value is a decimal number.
<att.duration.ges>direct children@dur.real
@dur.recip(optional)Duration as an optionally dotted Humdrum **recip value. Value is a token.
<att.duration.ges>direct children@dur.recip
@dur.ges(optional)Records performed duration information that differs from the written duration; @dur.ges allows the same datatypes as @dur. Values of @dur.ges that require dots should also use @dots.ges. Value conforms to data.DURATION.GESTURAL.
@dots.ges(optional)Number of dots required for a gestural duration when different from that of the written duration. Value conforms to data.AUGMENTDOT.
@dur.metrical(optional)Duration as a count of units provided in the time signature denominator. Value is a decimal number.
@dur.ppq(optional)Duration recorded as pulses-per-quarter note, e.g., MIDI clicks or MusicXML divisions. Value is a positive integer, including 0.
@dur.real(optional)Duration in seconds, e.g., 1.732. Value is a decimal number.
@dur.recip(optional)Duration as an optionally dotted Humdrum **recip value. Value is a token.
@dots.ges(optional)Number of dots required for a gestural duration when different from that of the written duration. Value conforms to data.AUGMENTDOT.
@dur.ges(optional)Records performed duration information that differs from the written duration; @dur.ges allows the same datatypes as @dur. Values of @dur.ges that require dots should also use @dots.ges. Value conforms to data.DURATION.GESTURAL.
@dur.metrical(optional)Duration as a count of units provided in the time signature denominator. Value is a decimal number.
@dur.ppq(optional)Duration recorded as pulses-per-quarter note, e.g., MIDI clicks or MusicXML divisions. Value is a positive integer, including 0.
@dur.real(optional)Duration in seconds, e.g., 1.732. Value is a decimal number.
@dur.recip(optional)Duration as an optionally dotted Humdrum **recip value. Value is a token.
Available at
<annot>Provides a statement explaining the text or indicating the basis for an assertion.
<beamSpan>Alternative element for explicitly encoding beams, particularly those which extend across bar lines.
<bracketSpan>Marks a sequence of notational events grouped by a bracket.
<caesura>Break, pause, or interruption in the normal tempo of a composition. Typically indicated by "railroad tracks", i.e., two diagonal slashes.
<chord>A simultaneous sounding of two or more notes in the same layer *with the same duration*.
<cpMark>A verbal or graphical indication to copy musical material written elsewhere.
<dir>An instruction expressed as a combination of text and symbols, typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like <tempo>, <dynam> or <repeatMark>.
<dynam>Indication of the volume of a note, phrase, or section of music.
<f>Single element of a figured bass indication.
<fermata>An indication placed over a note or rest to indicate that it should be held longer than its written value. May also occur over a bar line to indicate the end of a phrase or section. Sometimes called a 'hold' or 'pause'.
<fing>An individual finger in a fingering indication.
<fingGrp>A group of individual fingers in a fingering indication.
<gliss>A continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
<hairpin>Indicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., < and >.
<halfmRpt>A half-measure repeat in any meter.
<harm>An indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
<harpPedal>Harp pedal diagram.
<line>A visual line that cannot be represented by a more specific; i.e., semantic, element.
<metaMark>A graphical or textual statement with additional / explanatory information about the musical text. The textual consequences of this intervention are encoded independently via other means; that is, with elements such as <add>, <del>, etc.
<mRest>Complete measure rest in any meter.
<mSpace>A measure containing only empty space in any meter.
<multiRest>Multiple full measure rests compressed into a single bar, frequently found in performer parts.
<note>A single pitched event.
<octave>An indication that a passage should be performed one or more octaves above or below its written pitch.
<ornam>An element indicating an ornament that is not a mordent, turn, or trill.
<phrase>Indication of 1) a "unified melodic idea" or 2) performance technique.
<repeatMark> An instruction expressed as a combination of text and symbols – segno and coda – typically above, below, or between staves, but not on the staff.
<rest>A non-sounding event found in the source being transcribed.
<slur>Indication of 1) a "unified melodic idea" or 2) performance technique.
<space>A placeholder used to fill an incomplete measure, layer, etc. most often so that the combined duration of the events equals the number of beats in the measure.
<tabGrp>A group of simultaneous tab notes, comparable to a <chord> in CMN. Rarely, may also contain rests, as in some "German" lute tablatures.
<trill>Rapid alternation of a note with another (usually at the interval of a second above).
<tuplet>A group of notes with "irregular" (sometimes called "irrational") rhythmic values, for example, three notes in the time normally occupied by two or nine in the time of five.
<tupletSpan>Alternative element for encoding tuplets, especially useful for tuplets that extend across bar lines.
<beamSpan>Alternative element for explicitly encoding beams, particularly those which extend across bar lines.
<bracketSpan>Marks a sequence of notational events grouped by a bracket.
<fermata>An indication placed over a note or rest to indicate that it should be held longer than its written value. May also occur over a bar line to indicate the end of a phrase or section. Sometimes called a 'hold' or 'pause'.
<gliss>A continuous or sliding movement from one pitch to another, usually indicated by a straight or wavy line.
<hairpin>Indicates continuous dynamics expressed on the score as wedge-shaped graphics, e.g., < and >.
<halfmRpt>A half-measure repeat in any meter.
<harpPedal>Harp pedal diagram.
<mRest>Complete measure rest in any meter.
<mSpace>A measure containing only empty space in any meter.
<multiRest>Multiple full measure rests compressed into a single bar, frequently found in performer parts.
<octave>An indication that a passage should be performed one or more octaves above or below its written pitch.
<repeatMark> An instruction expressed as a combination of text and symbols – segno and coda – typically above, below, or between staves, but not on the staff.
<slur>Indication of 1) a "unified melodic idea" or 2) performance technique.
<tuplet>A group of notes with "irregular" (sometimes called "irrational") rhythmic values, for example, three notes in the time normally occupied by two or nine in the time of five.
<tupletSpan>Alternative element for encoding tuplets, especially useful for tuplets that extend across bar lines.
<trill>Rapid alternation of a note with another (usually at the interval of a second above).
<cpMark>A verbal or graphical indication to copy musical material written elsewhere.
<metaMark>A graphical or textual statement with additional / explanatory information about the musical text. The textual consequences of this intervention are encoded independently via other means; that is, with elements such as <add>, <del>, etc.
<fing>An individual finger in a fingering indication.
<fingGrp>A group of individual fingers in a fingering indication.
<f>Single element of a figured bass indication.
<harm>An indication of harmony, e.g., chord names, tablature grids, harmonic analysis, figured bass.
<annot>Provides a statement explaining the text or indicating the basis for an assertion.
<caesura>Break, pause, or interruption in the normal tempo of a composition. Typically indicated by "railroad tracks", i.e., two diagonal slashes.
<chord>A simultaneous sounding of two or more notes in the same layer *with the same duration*.
<dir>An instruction expressed as a combination of text and symbols, typically above, below, or between staves, but not on the staff — that is not encoded elsewhere in more specific elements, like <tempo>, <dynam> or <repeatMark>.
<dynam>Indication of the volume of a note, phrase, or section of music.
<note>A single pitched event.
<ornam>An element indicating an ornament that is not a mordent, turn, or trill.
<phrase>Indication of 1) a "unified melodic idea" or 2) performance technique.
<rest>A non-sounding event found in the source being transcribed.
<space>A placeholder used to fill an incomplete measure, layer, etc. most often so that the combined duration of the events equals the number of beats in the measure.
<tabGrp>A group of simultaneous tab notes, comparable to a <chord> in CMN. Rarely, may also contain rests, as in some "German" lute tablatures.
<line>A visual line that cannot be represented by a more specific; i.e., semantic, element.
Declaration
<classSpec xmlns="http://www.tei-c.org/ns/1.0" rend="add" ident="att.duration.ges" module="MEI.gestural" type="atts">
<desc xml:lang="en">Attributes that record performed duration that differs from a feature’s written duration.</desc>
<attList>
<attDef ident="dur.ges" usage="opt">
<desc xml:lang="en">Records performed duration information that differs from the written duration; @dur.ges allows the same datatypes as @dur. Values of @dur.ges that require dots should also use @dots.ges.</desc>
<datatype>
<ref name="data.DURATION.GESTURAL"/>
</datatype>
</attDef>
<attDef ident="dots.ges" usage="opt">
<desc xml:lang="en">Number of dots required for a gestural duration when different from that of the written duration.</desc>
<datatype>
<ref name="data.AUGMENTDOT"/>
</datatype>
</attDef>
<attDef ident="dur.metrical" usage="opt">
<desc xml:lang="en">Duration as a count of units provided in the time signature denominator.</desc>
<datatype>
<rng:data type="decimal">
<rng:param name="pattern">\d+(\.\d+)?</rng:param>
</rng:data>
</datatype>
</attDef>
<attDef ident="dur.ppq" usage="opt">
<desc xml:lang="en">Duration recorded as pulses-per-quarter note,
<abbr>e.g.</abbr>
, MIDI clicks or MusicXML divisions.</desc>
<datatype>
<rng:data type="nonNegativeInteger"/>
</datatype>
</attDef>
<attDef ident="dur.real" usage="opt">
<desc xml:lang="en">Duration in seconds,
<abbr>e.g.</abbr>
,
<val>1.732</val>
.</desc>
<datatype>
<rng:data type="decimal">
<rng:param name="pattern">\d+(\.\d+)?</rng:param>
</rng:data>
</datatype>
</attDef>
<attDef ident="dur.recip" usage="opt">
<desc xml:lang="en">Duration as an optionally dotted
<ref target="https://www.humdrum.org/rep/recip/">Humdrum **recip value</ref>
.</desc>
<datatype>
<rng:data type="token">
<rng:param name="pattern">[0-9]+(%[0-9]+)?\.*q?</rng:param>
</rng:data>
</datatype>
</attDef>
</attList>
</classSpec>
MEI Version: 6.0-dev+cmn(#6d754fa)