An introduction to MEI

The Music Encoding Initiative (MEI) is a community-driven effort to define guidelines for encoding musical documents in a machine-readable structure. MEI closely mirrors work done by text scholars in the Text Encoding Initiative (TEI) and while the two encoding initiatives are not formally related, they share many common characteristics and development practices. MEI, like TEI, is an umbrella term to simultaneously describe an organization, a research community, and a markup language. It brings together specialists from various music research communities, including technologists, librarians, historians, and theorists in a common effort to discuss and define best practices for representing a broad range of musical documents and structures. The results of these discussions are then formalized into the MEI schema, a core set of rules for recording physical and intellectual characteristics of music notation documents. This schema is developed and maintained by the MEI Technical Team.

The goals of MEI

The scholarly community devoted to the historical study of music needs a representation that meets the following requirements:

Therefore, the Music Encoding Initiative strives to create a semantically rich model for music notation that:

Is MEI free?

Yes! MEI is distributed under the Educational Community License Version 2.0, a modified form of the Apache 2.0 license. Under this license, you are granted a “perpetual, worldwide, non-exclusive, no-charge, royalty-free, irrevocable copyright license to reproduce, prepare derivative works of, publicly display, publicly perform, sublicense, and distribute MEI and any derivative” version you create. For the legal details, see the license. Because MEI provides a flexible and extensible framework as well as the opportunity to participate in its development, it is free, not just in the sense of “free beer”, but also in the sense of giving its users the freedom to use it as they desire.

How is MEI different from MusicXML?

MEI and MusicXML share some similarities – both of them encode music notation (notes, staves, rests, clefs, etc.), and they are both expressed in XML. However, they are guided by two different philosophies. The goal of MusicXML is to be an interchange format between notation editors. MEI contains the same functionality in terms of notation and page layout, but beyond this it can also encode information about the notation and its intellectual content in a structured and systematic way. MEI supports notation systems outside of standard Common Western Notation: mensural (Renaissance-era) and neume (Medieval) notations. It supports these notations not just through visual emulation, but by retaining the structure and semantics of the notation in order to accurately represent it. In addition, MEI can record the relationships between notational features and digital page images and audio recordings.

What is the history of MEI?

In 1999, Perry Roland created an XML schema (DTD) for the representation of music notation. Eventually, this DTD became known as MEI, drawing on the same principles that guided the creation of the Text Encoding Initiative (TEI). Perry presented his initial work at the first International Society for Music Information Retrieval in 2000.

In 2005, the University of Virginia Library provided support for a 2-year pilot project to demonstrate the capability of MEI to represent a sample of music scores and to ensure that the semantic information encoded in MEI could be rendered as music notation.

In the summer of 2007, Perry was approached by representatives of the German markup community and asked to present MEI to the Arbeitsgruppe Musikcodierung in der Akademie der Wissenschaften und Literatur in Mainz. Initial results of these collaborations were demonstrated at the conference “Digitale Edition zwischen Experiment und Standardisierung”, held in Paderborn, Germany in December, 2007.

Further collaboration between researchers in Germany and the United States was supported by a DFG/NEH “Bilateral Digital Humanities Program: Bilateral Symposia and Workshops” grant. This one-year grant provided funding to address the lack of standardization in the representation of music through supporting two workshops attended by an international group of digital technologists and scholars representing musicology, music theory, and librarianship.

The first of the two workshops took place in Charlottesville, Virginia, July 29th-31st, 2009. At this meeting it was decided that MEI held promise as an open-source, scholarly standard for music representation. Following this decision, the group turned its attention to development work necessary for the growth of MEI. A list of potential users and uses for the standard was recorded and a functional requirements document was drafted. Based on these functional requirements, a work plan was developed that included the revision of the schema and the creation of a tag library. Following the revision of the schema, sample scores selected by the work group that illustrate problems in successful music encoding were encoded in MEI. This workshop marked the beginning of MEI development as an international community-driven effort.

The second DFG/NEH funded meeting was held in Detmold, Germany in March 2010. At this meeting, the group reviewed the finished examples, schema and tag library. In addition, a plan for continued development and dissemination of the results was created, submitted to the DFG and NEH, and implemented by the MEI Advisory Board. A three-year research project called “Digital Music Notation Data Model and Prototype Delivery System” ran from October 2010 until the Summer of 2013 thanks to a DFG/NEH “Bilateral Digital Humanities Program: Enriching Digital Collections” grant. This project resulted in the creation of the MEI Guidelines, the preparation of a collection of MEI sample files, the development of tutorials, and significant growth in the number of contributors to MEI.

In 2013, the first Music Encoding Conference was held in Mainz, Germany. The success of this initial meeting demonstrated a need for an annual conference on the topic of music notation encoding, inviting representatives from within the MEI community and in other notation encoding communities to gather and share research and experiences with an international audience.

Also in 2013 the MEI community accepted an invitation from the Akademie der Wissenschaften und Literatur in Mainz to be hosted there. This offer prompted the community to formalize its governance structures, leading to the introduction of the MEI Community By-laws, the Technical Team, Interest Groups, and the MEI Board which oversees the activities of the community.