A software application for the optical recognition, the superimposition and the collation of early music prints

A long-term project to create a historical-critical hybrid edition.

A long-term project that seeks to implement genetic textual criticism by the means of digital music editions

The first scholarly digital edition of the play and the first that makes substantial use of the multimedia functionalities of a digital environment, bringing the play alive both in its time and ours.

A long-term project for the critical edition of Near Eastern music manuscripts, including parallel edition of song texts, and the online catalogue of Ottoman music sources.

A Catalogue of Carl Nielsen's Works (CNW), prepared and published by the Danish Center for Music Editing, utilizing the MerMEId editor

A long term edition project of sacred and secular monophonic repertories of the European Middle Ages with Latin texts

CRIM implements a new kind of quotable text for music, along with the analysis and commentary that illuminates its workings

The Delius Catalogue of Works (DCW) is the first thematic catalogue of the composer’s works, and the first to be digital.

A project that seeks to implement an MEI-based model covering a vast range of materials from the Detmold Court Theatre

A long-term project to create a digital edition of Wolfgang Amadeus Mozart's compositions.

A project that explored the potentials of MEI-based digital scholarly editions of music, which has been adopted by many editorial projects

EMA provides a simple API that allows to reference music snippets for micro-publications etc. The Omas webservice implements this API for MEI

A Digital Edition of Michael Maier's Atalanta fugiens (1618) with Scholarly Commentary

Gesualdo Online, built on Omeka, is a collaborative digital edition which invites outside contributions

This was one of the first projects that tried to enrich a facsimile-based digital edition with encodings of its contents

Development of technologies to convert digitized images of both mensural and modern score manuscripts to a modern digital format such as MEI

The Lost Voices Project: A Digital Domain for Renaissance Music

‘Measuring Polyphony’ presents, for the first time, digitisations of polyphonic compositions written during the thirteenth and fourteenth centuries in mensural notation, linked directly, in most cases, to high-resolution images of the original manuscript sources.

A proof of concept that illustrates interactive ways to give access to a critical apparatus in a digital edition

A flexible software platform that allows for combined digital representations of music with contextual and interpretive knowledge in the Semantic Web.

Optical Music Recognition for Plainchant

An open-access music data project aims to make works by un(der)-represented people more discoverable, decenter the musical canon, and make data-driven music scholarship more diverse and inclusive.

This edition implements a concept of musical works that faithfully resembles the flexibility of the late 18th century italian opera

The 'Single Interface for Music Score Searching and Analysis' project seeks to design an infrastructure for digitizing large corpora or music

This website includes Emily Tennyson’s music settings of “Break, Break, Break,” which preserve aspects of Alfred Tennyson’s recitation

Case Study Report: Debussy's Syrinx (La Flûte de Pan)